a descent into madness

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theartofanimation:

Antonio Javier Caparo

  • 5 hours ago > theartofanimation
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tastefullyoffensive:

[philintheblanks]

(via hemotrip)

Source: tastefullyoffensive

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theoceanrolls:

Lake Dulverton (by Jonathan Esling Photography)
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theoceanrolls:

Lake Dulverton (by Jonathan Esling Photography)

(via thewrongplanet)

Source: flickr.com

  • 6 hours ago > theoceanrolls
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likeafieldmouse:

Mark Tipple - The Underwater Project (2010-12)

(via notallpocketshavepants)

Source: likeafieldmouse

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-cityoflove:

Venice, Italy via blažena
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-cityoflove:

Venice, Italy via blažena

(via kayakamaryam)

Source: Flickr / blazena-abeova

    • #i miss venice
  • 6 hours ago > -cityoflove
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funkystarfishy:

Eric Penington
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funkystarfishy:

Eric Penington

  • 7 hours ago > funkystarfishy
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actegratuit:

Dead astronaut,

Brandon Vickers

(via 11200)

Source: actegratuit

  • 7 hours ago > actegratuit
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pikeys:

Karma, 2003 by Do Ho Suh
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pikeys:

Karma, 2003 by Do Ho Suh

(via kinxsonic)

Source: pikeys

  • 8 hours ago > pikeys
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unicornsandcandycorn:

ARTWORKS BY RYAN FORESTER

Just like places or interactions, objects alone evoke certain emotions, associations. A cup of coffee or the way the sun falls onto the floor through the windows: these things are not sipped or viewed detachedly. They are felt in a basic as well as an ethereal way, assuming we are open to those feelings. What service can an inanimate object render, if the human does not give it meaning in his or her own life? How do we place the feelings these objects evoke onto a page, a canvas? The artist takes in experiences, processes them, and then creates. 

Ryan Foerster utilizes nature in a way that is unique when we consider the typical association of nature-related art. He does not paint epic landscapes from the tops of mountains or tack deerskin to the wall. Ryan reminds us of everything that never was and everything that could have been. He lets a piece of art take a different course than another artist might. At a point where one might think something is complete, Ryan might add another step to the process. - Hannah Buonaguro (Martos Gallery. NYC)

(via profitemole)

Source: devidsketchbook.com

  • 8 hours ago > devidsketchbook
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feelgoodsundays:

Celestial Chart
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feelgoodsundays:

Celestial Chart

(via kittylikesintestines)

Source: freimolinka

  • 9 hours ago > freimolinka
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imickeyd:

lilly and the frog by Mark Bridger
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imickeyd:

lilly and the frog by Mark Bridger

(via airmanisr)

Source: imickeyd

  • 10 hours ago > imickeyd
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(via airmanisr)

Source: lalulutres

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ASOIAF Challenge
↳ 02. Most Powerful Lines (3/3) || Jaime Lannister

The words echoed in his head in the dimness of Baelor’s Sept. Above him, all the windows had gone black, and he could see the faint light of distant stars. The sun had set for good and all. The stench of death was growing stronger, despite the scented candles. The smell reminded Jaime Lannister of the pass below the Golden Tooth, where he had won a glorious victory in the first days of the war. On the morning after the battle, the crows had feasted on victors and vanquished alike, as once they had feasted on Rhaegar Targaryen after the Trident. How much can a crown be worth, when a crow can dine upon a king?

(via kayakamaryam)

Source: serjaime

  • 12 hours ago > serjaime
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theartofanimation:

Adrien Girod

  • 1 day ago > theartofanimation
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nevver:

She comes in colors

(via nyrat)

Source: nevver

  • 1 day ago > nevver
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About

Avatar I'm Brune; artist, pen and paper rpg enthusiast, and story teller.

These are the things that inspire me.

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